Daniel Potts’s “Music for Reach” was one of two works interpreted by musician Chelsea Coleman. This is, I think, the sole example of a work on this compilation being a direct parent of another such piece. (For the most part, the brilliant and detail-oriented TELEPHONE staff attempted to avoid artists receiving work in their own discipline, but with a project of this size it was bound to be necessary from time to time.) Stay tuned for Chelsea’s piece, which is track 76.
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