Tag Archives: Nonetheless Notwithstanding

Swirling layers of warm, static-like fuzziness are turned into something cohesive by a few simple bass notes. Then, like coming up from a subway at night, the white noise of the underground gains a new life on top of that … Continue reading →

For a song that, melodically speaking, has about six notes (two different repeating three-note melodies that each occupy the first two quarters of the running time), there is a lot going on in “Precedence.” Which is fitting, I suppose, given … Continue reading →