Shenandoah Davis’s “Opposite of Forgetting” was one of three works interpreted by writer Mikkel Rosengaard.
Tito Ramsey’s “One Time Dream” was one of two works interpreted by poet Nicola Redhouse.
Ju.’s “escucha y arde” was one of three works interpreted by painter Audrey Roue.
Chelsea Coleman’s “Now We Know the Dark” was one of two works interpreted by painter Nina Groth.
That One Crocodile’s “Camellias” was one of two works interpreted by painter Rose Magee.
Alexey Kochetkov’s “Airborne” was one of two works interpreted by photographer Thomas Patterson.
LoveGrove’s “Rise up and Connect” was one of two works interpreted by multidisciplinary artist Aurora Del Rio.
Daniel Potts’s “Music for Reach” was one of two works interpreted by musician Chelsea Coleman. This is, I think, the sole example of a work on this compilation being a direct parent of another such piece. (For the most part, the brilliant and detail-oriented TELEPHONE staff attempted to avoid artists receiving work in their own discipline, but with a project of this size it was bound to be necessary from time to time.) Stay tuned for Chelsea’s piece, which is track 76.
Division of Nature’s “I wander” was one of two works interpreted by visual artist Noortje Stortelder.
Rasmus Kjær’s “Dual Power” was one of two works interpreted by video artist Sarah Crofts.
