Ball of Wax 65 Songs: Icarus Phoenix – “All the Same”

For the newest volume of Ball of Wax Audio Quarterly, I solicited songs from artists near and far on the slippery, evasive, murky topic of The Future. Drew Danburry of Icarus Phoenix shared a number of forward-thinking songs from his brand new album No tree can grow to heaven unless its roots reach down to hell, and “All the Same” leaped out to me as the perfect way to start off this particular collection. The tune starts with Drew setting the scene over chiming acoustic guitars: “When I find myself in suffering/when I find myself in pain / Am I guilty of dishonor? / Can I find another way?” Alternating between a syncopated, loping verse and a driving chorus, Drew lets us in on his thoughts as he ponders big questions – not just questions of life, but how to even ask or consider these questions themselves: logic versus emotion, reason versus belief. “What is wisdom?” he ponders. “Is it similar to faith?”

You won’t be surprised to hear that all of our deepest philosophical questions aren’t answered in a three-minute pop song, but in the final chorus – this song employs a favorite device of mine, with no two choruses the same – Drew seems to settle into some comfort with both the uncertainty and the present moment: “There aren’t answers better than what’s here right now. These sweet details I can hold onto forever.” Drew’s music is certainly one of those sweet details I’ll be holding onto for a long time, as we hurtle into whatever the future holds.

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Ball of Wax 64 Songs: Priscila Chu – “Falling into Place”

Priscila Chu’s “Falling into Place” is not just the final piece of music in this sprawling web of an exhibit/game/project, it’s the final piece, period. The last link in the chain. The end of the road. [Insert your favorite such cliched metaphor here.] As such, there is no following work for me to reference here. No other artist (to my knowledge) has taken this beautiful piece and spun it into another work in another discipline. So, this will be the only piece in this 80-track collection that I will actually attempt to write something about.

Of course, the task of summing up such an enormous undertaking as TELEPHONE in one work – of any discipline, including book-length essay or novel – is impossible. But that wasn’t Priscila’s task, of course. She merely happened to be the artist tasked with completing the final act of interpretation, taking a story and a drawing that had been circuitously distilled from 900-plus other artworks and turning them into a peaceful, contemplative work for solo piano. You can feel things falling into place as she explores the keyboard – locks turning, memories awakening, roots growing. You want it to go on forever. And then, too soon, it all ends in a juuust slightly-left-of-resolved chord, leaving you with no option but to start back at the beginning. Whether that’s listening to this piece again, or starting all over with the Original Message, is up to you.

Thank you Priscila. Thank you to every musician in this collection, and every artist in TELEPHONE. Enormous, billboard-sized THANK YOU to Nathan, Katelyn, and the entire TELEPHONE crew for making this thing happen. I am humbled and inspired to have been a small part of this big, beautiful, banyan.

[Context: here and here.]

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Ball of Wax 64 Songs: Shenandoah Davis – “Opposite of Forgetting”

Shenandoah Davis’s “Opposite of Forgetting” was one of three works interpreted by writer Mikkel Rosengaard.

[Context: here and here.]

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Ball of Wax 64 Songs: Tito Ramsey – “One Time Dream”

Tito Ramsey’s “One Time Dream” was one of two works interpreted by poet Nicola Redhouse.

[Context: here and here.]

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Ball of Wax 64 Songs: Ju. – “escucha y arde”

Ju.’s “escucha y arde” was one of three works interpreted by painter Audrey Roue.

[Context: here and here.]

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Ball of Wax 64 Songs: Chelsea Coleman – “Now We Know the Dark”

Chelsea Coleman’s “Now We Know the Dark” was one of two works interpreted by painter Nina Groth.

[Context: here and here.]

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Ball of Wax 64 Songs: That One Crocodile – “Camellias”

That One Crocodile’s “Camellias” was one of two works interpreted by painter Rose Magee.

[Context: here and here.]

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Ball of Wax 64 Songs: Alexey Kochetkov – “Airborne”

Alexey Kochetkov’s “Airborne” was one of two works interpreted by photographer Thomas Patterson.

[Context: here and here.]

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Ball of Wax 64 Songs: LoveGrove – “Rise up and Connect”

LoveGrove’s “Rise up and Connect” was one of two works interpreted by multidisciplinary artist Aurora Del Rio.

[Context: here and here.]

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Ball of Wax 64 Songs: Daniel Potts – “Music for Reach”

Daniel Potts’s “Music for Reach” was one of two works interpreted by musician Chelsea Coleman. This is, I think, the sole example of a work on this compilation being a direct parent of another such piece. (For the most part, the brilliant and detail-oriented TELEPHONE staff attempted to avoid artists receiving work in their own discipline, but with a project of this size it was bound to be necessary from time to time.) Stay tuned for Chelsea’s piece, which is track 76.

[Context: here and here.]

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