Ball of Wax Audio Quarterly

That One Crocodile’s “Camellias” was one of two works interpreted by painter Rose Magee.

[Context: here and here.]

Alexey Kochetkov’s “Airborne” was one of two works interpreted by photographer Thomas Patterson.

[Context: here and here.]

LoveGrove’s “Rise up and Connect” was one of two works interpreted by multidisciplinary artist Aurora Del Rio.

[Context: here and here.]

Daniel Potts’s “Music for Reach” was one of two works interpreted by musician Chelsea Coleman. This is, I think, the sole example of a work on this compilation being a direct parent of another such piece. (For the most part, the brilliant and detail-oriented TELEPHONE staff attempted to avoid artists receiving work in their own discipline, but with a project of this size it was bound to be necessary from time to time.) Stay tuned for Chelsea’s piece, which is track 76.

[Context: here and here.]

Division of Nature’s “I wander” was one of two works interpreted by visual artist Noortje Stortelder.

[Context: here and here.]

Rasmus Kjær’s “Dual Power” was one of two works interpreted by video artist Sarah Crofts.

[Context: here and here.]

Frank Simes’s “Urge of Existence” was one of two works interpreted by visual artist Meri Miller.

[Context: here and here.]

Tim Ralphs’s “Respiration” was one of two works interpreted by visual artist Lazarus Acres.

[Context: here and here.]