Zach Gulaboff Davis’s “Kaleidoscope” was one of three works interpreted by painter Jessica Snow.
Brian Field’s “Ecce, Reges Deiectos” was one of three works interpreted by painter Kimberly Santini.
Becca Kelley’s “Welcome to Blue” was one of two works interpreted by painter Savanah Forster.
Adam Justin Raitano’s “Adrift” was one of two works interpreted by painter Mary Bennett.
Judy Banker’s “After It Ends” was interpreted by cartoonist Sophie Willard Van Sistine.
Suzie Shrubb’s “some things constrict through their expanding” was one of two works interpreted by painter Desiree Alvarez.
A note from the artist: “This piece is designed to be listened to through headphones and/or at a low volume setting on your chosen listening device. Headphones are the composer’s recommended method of listening. The piece is deliberately quiet and muted. The invitation is to listen carefully and intimately.”
Containher’s “Delicate Imperfection, Golden Bloom” was one of two works interpreted by collage artist LuEllen Joy Miller-Giera.
Leanna Keith’s “Sealed, airtight” was interpreted by visual artist Matthias Pilsz.
Northwoods’ “Cascading” was interpreted by poet Ann Tweedy and photographer Reiko Ishida.
Tom Dyer’s “Interpretation” was itself interpreted by writer Logan K. Young. (As an editorial aside, I love how both Tom and Logan employed extremely literal and direct methods of interpretation for their works.)
