Zachary Stern’s “Silent Night” was one of two works interpreted by poet Luisa A. Igloria.
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Zachary Stern’s “Silent Night” was one of two works interpreted by poet Luisa A. Igloria.
I don’t normally review my own tracks, but this isn’t really me writing a review, so I guess it’s okay. My contribution to TELEPHONE, “Memory Is a Strange Thing,” was one of three works interpreted by textile artist Carlyn Clark.
Zach Gulaboff Davis’s “Kaleidoscope” was one of three works interpreted by painter Jessica Snow.
Brian Field’s “Ecce, Reges Deiectos” was one of three works interpreted by painter Kimberly Santini.
Becca Kelley’s “Welcome to Blue” was one of two works interpreted by painter Savanah Forster.
Adam Justin Raitano’s “Adrift” was one of two works interpreted by painter Mary Bennett.
Judy Banker’s “After It Ends” was interpreted by cartoonist Sophie Willard Van Sistine.
Suzie Shrubb’s “some things constrict through their expanding” was one of two works interpreted by painter Desiree Alvarez.
A note from the artist: “This piece is designed to be listened to through headphones and/or at a low volume setting on your chosen listening device. Headphones are the composer’s recommended method of listening. The piece is deliberately quiet and muted. The invitation is to listen carefully and intimately.”
Containher’s “Delicate Imperfection, Golden Bloom” was one of two works interpreted by collage artist LuEllen Joy Miller-Giera.
Leanna Keith’s “Sealed, airtight” was interpreted by visual artist Matthias Pilsz.