David Williams’s “Pour Le Compte Finale, Dix” was interpreted by video artist Nilson Nunes, writer Nicole Leona Smith, and poet Mary Buchinger.
Muriel Louveau’s “There is another sky” was interpreted by photographers Ellen Alt and Aunia Kahn.
Aaron Cobb’s “Grow!” was interpreted by visual artist
Sarah Haskell.
Septi’s “Blue Bird” was interpreted by photographer Lynnda Pardoe and visual artist Patricia Bender.
Richie Greene’s “Paraphrase of a white net on a blue background (for 2 violins, 2 violas, and harmonic piano)” was interpreted by collage artist Michelle Meged.
Sean Tomas’s “My Magnolia” was interpreted by painter Steve Huff.
Jane Wang’s “Clouds” was interpreted by multidisciplinary artist William Rihel and our own Patrick Gibbs, who is an even more gifted visual artist than he is a music writer.
Sean Miller’s “Time (A Round)” was interpreted by painter O Yemi Tubi and poet Sanjana Nair.
Robert Karpay’s “Dimitropolous” was interpreted by poet Sheila Black and visual artist Michele Waalkes.
ZVAN’s “Telephone encounters” was interpreted by poet Karen Skolfield.
