Ball of Wax 62 Songs: Ken Cormier – “Not in the Way You Mean”

Dulcet sounds of a chipper ukulele overlay this short sweet ditty of a song. The lyrics are endearingly nonsensical and feel especially apropos coming off of the hangover that has been the last four years. As if to say, “I’m not quite sure what happened to us or how we got here, but I’m shaking off the delirium and moving forward the best I can.”

The tempo of the song is zippy and upbeat. It has the feel of an old-timey rendition of “It’s the End of the World as We Know It.” Like ice cream truck music for the modern-day misanthrope.

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Ball of Wax 62 Songs: Caroline Keys – “Auld Lang Syne Language”

Caroline Keys‘s “Auld Lang Syne Language” is a lilting trance chant set atop a looping set of loping guitar chords. A repeating lyric form of “X don’t Y themselves” yields a list of combinations that weave between mundane, whimsical, and absurd: Quacks don’t duck themselves, Shirts don’t tuck themselves; Wounds don’t heal themselves, Drugs don’t deal themselves. Metaphors about action and responsibility, about cause and effect feel especially potent in the moment and demonstrate the organizing principle of this edition of Ball of Wax: each song to be written between election night and the following weekend. This song feels light while wading directly into the murkiness and wonder of human existence. The writing is subtle enough to keep it universal; there’s not a direct reference to voting or anything that would really nail it to the zeitgeist. Tasteful minimalist post-Americana that manages to find celebration in the face of anxious times with clean guitar and banjo, chiming chords and keyboards, and sweet vocal harmonies.

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Ball of Wax 62 Songs: Chris Poage – “Collecting Stars”

I woke up with this song in my head the other morning, and was wracking my brain trying to figure out which classic pop tune had wedged itself into my inner ear with the refrain “let’s not die for it . . . the battle ain’t worth the blood” and that sweet, sweet sax and flute line. Well, it turns out it was this brand-new ditty by our friend Chris Poage, written (as was every track on this compilation) in the immediate aftermath of Election 2020. Musically – from a composition, arrangement, and production standpoint – this song is pretty much untouchable, in my opinion. I am in awe of Chris’s ability to combine melodies, voices, and instruments into such an immediately enjoyable and memorable whole.

The lyrics, too, while simple, are straightforward and memorable – earnest without being cloying. I interpret the overall thrust as something along the lines of we have more in common than we do differences, let’s not let our disagreements destroy us. This is, of course, an important and laudable sentiment,  which in the current fraught historical moment runs the risk of being interpreted as diminishing the important battles and struggles that do need to be fought. Of course, not all differences are created equal; some battles are, in fact, worth the blood. Not to speak for Chris – the thing about songs, is once they’re out of the songwriter’s brain, they’re all ours for the interpreting – but my read is more along the lines of “hey, maybe don’t beat someone up for asking you to wear a mask, or threaten to kill officials in your own party for attesting to the validity of an election, or burn every bridge at the first sign of disagreement” as opposed to any comment on the important protests for social justice and civil rights we saw this year. Coming as it does after Eric’s opening track, “Collecting Stars” feels like a much-needed antidote the absolute freaking insanity that has been this year.

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Ball of Wax 62 Songs: Eric Padget – “BBQ Beer Freedom”

25 seconds is all it takes for Eric Padget to sum up the entire 24 month election cycle. Anyone who has seen even a smidgen of news since Election Day has heard either this exact quote used in “BBQ Beer Freedom” from a “stop the steal” protester or one similar to it. With a peppy synthesizer and drum machine backdrop, the found-sound quote no longer sounds as dangerously paranoid as it once did, just kind of whacky. The upbeat filter sweeps and breezy melodies helps to wash away the filth of conspiracy with joy and vibrancy. Here’s to hoping that tide stays longer than 24 seconds.

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Ball of Wax 62: Songs from Right Now

Ball of Wax 62 coverBall of Wax 62 – now available for pre-order – is composed entirely of songs written between Election Night 2020 and the following weekend. There is no unifying theme beyond that, and the works come from all perspectives, and lead in all directions. It is -in my humble opinion – a wonderful sonic time capsule of this unique (and seemingly unending) moment in history, as well as just a damn great collection of songs for any time. I hope you enjoy it.

Pre-order now! The official release date is next Friday, December 11th. We’ll be posting track reviews starting today, and we’ll have an internet release show sometime.

Exclusive preview stream right here!

Thank you for listening.

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Album Review: Claire Tucker – Same Old Hunters

Claire Tucker - Same Old HuntersClaire Tucker – Same Old Hunters
(2020, Drums and Wires Recordings)

Back in August, Claire Tucker sent me a pre-release copy of her upcoming release Same Old Hunters, out this Friday Oct 23rd via Drums & Wires Recordings and co-produced by Claire & Colin J. Nelson.  Claire is the frontperson for Seattle-based Loose Wing, which blends early ’80s new-wave & ’90s alt-rock with 21st-century indie-rock. On her first solo EP, she explores textures reminiscent of ’60s pop, Elliot Smith-level songcraft and even Springsteen-referencing yearning on “Mary of Rain.”

Below is an email I sent Claire after spending time with the EP and that I hope will be effective as a proper review in convincing you, the reader, to listen.

The EP is available for streaming now at the label’s site, and will be available for physical or digital sale at Bandcamp this Friday (tomorrow!)

So here’s my two cents . . . a long-winded response of the Late-Night Non-Stoned Variety.

Continue reading

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Ball of Wax 61 Songs: Colin Ernst – “Make It Through”

Colin Ernst‘s “Make It Through” does a brilliant job of summing up the absurdity, terror, tension and trauma of our current moment in a catchy (and even kinda whimsical?) pop song, whose whistled hook will likely not leave your brain for days. The lyrics are dense and rich with detail, with lines like “no one knows when we’ll be free to meet / at a distance of less than six feet / so we can’t stop yelling / through a mask and waving from afar” piling up the 2020 tension, building to the semi-cathartic release of the chorus. Appropriately enough, by the time we get there, “make it through another day” does feel like an achievement worth celebrating – a feeling that resonates with us all, I should think. This song may well sound dated in a year, or five, or ten – at least I certainly hope it does – but it should also prove to be an indelible musical time capsule of this moment, along the lines of “No Depression” or “Boogie Woogie Bugle Boy.” I, for one, look forward to dusting off the CD player and playing this for my grandkids, telling them all about the strange, dark time this country went through way back in 2020.

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Ball of Wax 61 Songs: Icarus Phoenix – “The Future, for Emma”

This jauntily milquetoast ditty is depressingly upbeat. It manages to be dreamy and ethereal while also being earnest and grounded. The song’s playful melody twinkles on top of sweetly morose prose. This song is authentically twee. I listen to this song and somehow manage to feel grateful about all the things bumming me out. Because there is no singular truth than the bummer that is humanity [hashtag life is a dumpster fire] and the hope of camaraderie that exists in this existential mess we’re all in.

The instrumental break is the crescendo of the song and features brief arpeggios of descending triplets that are reminiscent of a ballerina’s music box. This could very well be my favorite song of 2020. But, you don’t have to take my word for it.

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Ball of Wax 61 Songs: Emiko Blalock – “10 Years”

This is four minutes and 31 seconds of earnest, heartfelt emotion. Strong, melodic vocals are set in front of a simple, sweet, cyclical guitar melody. The vocals chronicle the moments of a love long lost but not forgotten. The simple guitar melody that stitches together the narrative of the song reflects the beautiful monotony of love. The lyrics meander ever forward in a way that provides prospective, remorse, and hope. This is a tender song. This is a beautiful song.

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Ball of Wax 61 Songs: Tekla Waterfield – “I Wanna Love You Forever”

A great love song will always find itself in the position of conversing with all the other great love songs of the past, quietly announcing itself to be a continuation of the elusive, sometimes fleeting and always mysterious emotion that songwriters so frequently gravitate towards as a subject or as an expression.

Tekla Waterfield’s song “I Wanna Love You Forever (aka Tina’s Song)” picks up such a direct sentiment from Bob Marley’s “Is This Love?” going from “I want to love you/every day and every night” to “I want to love you forever,” expanding  on this sentiment with just enough specificity to depict a unique yet universal reaction of the soul.

“Forever” is always a dangerous term to use in this setting, as it immediately requires the discerning listener to hear the word on a poetic not literal level. And yet the magic trick of a great love song is to make the poetic and the literal seemingly co-exist on the same plain.

Recent circumstances should remind us again and again that genuine love is not felt out of desperation or loneliness but out of confidence, only felt after words are spoken aloud and a burden is suddenly lifted.  If you listen closely, you’ll hear this very delicate process in motion as “I Wanna Love You Forever” plays.

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