Ball of Wax 62: Songs from Right Now

Ball of Wax 62 coverBall of Wax 62 – now available for pre-order – is composed entirely of songs written between Election Night 2020 and the following weekend. There is no unifying theme beyond that, and the works come from all perspectives, and lead in all directions. It is -in my humble opinion – a wonderful sonic time capsule of this unique (and seemingly unending) moment in history, as well as just a damn great collection of songs for any time. I hope you enjoy it.

Pre-order now! The official release date is next Friday, December 11th. We’ll be posting track reviews starting today, and we’ll have an internet release show sometime.

Exclusive preview stream right here!

Thank you for listening.

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Album Review: Claire Tucker – Same Old Hunters

Claire Tucker - Same Old HuntersClaire Tucker – Same Old Hunters
(2020, Drums and Wires Recordings)

Back in August, Claire Tucker sent me a pre-release copy of her upcoming release Same Old Hunters, out this Friday Oct 23rd via Drums & Wires Recordings and co-produced by Claire & Colin J. Nelson.  Claire is the frontperson for Seattle-based Loose Wing, which blends early ’80s new-wave & ’90s alt-rock with 21st-century indie-rock. On her first solo EP, she explores textures reminiscent of ’60s pop, Elliot Smith-level songcraft and even Springsteen-referencing yearning on “Mary of Rain.”

Below is an email I sent Claire after spending time with the EP and that I hope will be effective as a proper review in convincing you, the reader, to listen.

The EP is available for streaming now at the label’s site, and will be available for physical or digital sale at Bandcamp this Friday (tomorrow!)

So here’s my two cents . . . a long-winded response of the Late-Night Non-Stoned Variety.

Continue reading

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Ball of Wax 61 Songs: Colin Ernst – “Make It Through”

Colin Ernst‘s “Make It Through” does a brilliant job of summing up the absurdity, terror, tension and trauma of our current moment in a catchy (and even kinda whimsical?) pop song, whose whistled hook will likely not leave your brain for days. The lyrics are dense and rich with detail, with lines like “no one knows when we’ll be free to meet / at a distance of less than six feet / so we can’t stop yelling / through a mask and waving from afar” piling up the 2020 tension, building to the semi-cathartic release of the chorus. Appropriately enough, by the time we get there, “make it through another day” does feel like an achievement worth celebrating – a feeling that resonates with us all, I should think. This song may well sound dated in a year, or five, or ten – at least I certainly hope it does – but it should also prove to be an indelible musical time capsule of this moment, along the lines of “No Depression” or “Boogie Woogie Bugle Boy.” I, for one, look forward to dusting off the CD player and playing this for my grandkids, telling them all about the strange, dark time this country went through way back in 2020.

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Ball of Wax 61 Songs: Icarus Phoenix – “The Future, for Emma”

This jauntily milquetoast ditty is depressingly upbeat. It manages to be dreamy and ethereal while also being earnest and grounded. The song’s playful melody twinkles on top of sweetly morose prose. This song is authentically twee. I listen to this song and somehow manage to feel grateful about all the things bumming me out. Because there is no singular truth than the bummer that is humanity [hashtag life is a dumpster fire] and the hope of camaraderie that exists in this existential mess we’re all in.

The instrumental break is the crescendo of the song and features brief arpeggios of descending triplets that are reminiscent of a ballerina’s music box. This could very well be my favorite song of 2020. But, you don’t have to take my word for it.

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Ball of Wax 61 Songs: Emiko Blalock – “10 Years”

This is four minutes and 31 seconds of earnest, heartfelt emotion. Strong, melodic vocals are set in front of a simple, sweet, cyclical guitar melody. The vocals chronicle the moments of a love long lost but not forgotten. The simple guitar melody that stitches together the narrative of the song reflects the beautiful monotony of love. The lyrics meander ever forward in a way that provides prospective, remorse, and hope. This is a tender song. This is a beautiful song.

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Ball of Wax 61 Songs: Tekla Waterfield – “I Wanna Love You Forever”

A great love song will always find itself in the position of conversing with all the other great love songs of the past, quietly announcing itself to be a continuation of the elusive, sometimes fleeting and always mysterious emotion that songwriters so frequently gravitate towards as a subject or as an expression.

Tekla Waterfield’s song “I Wanna Love You Forever (aka Tina’s Song)” picks up such a direct sentiment from Bob Marley’s “Is This Love?” going from “I want to love you/every day and every night” to “I want to love you forever,” expanding  on this sentiment with just enough specificity to depict a unique yet universal reaction of the soul.

“Forever” is always a dangerous term to use in this setting, as it immediately requires the discerning listener to hear the word on a poetic not literal level. And yet the magic trick of a great love song is to make the poetic and the literal seemingly co-exist on the same plain.

Recent circumstances should remind us again and again that genuine love is not felt out of desperation or loneliness but out of confidence, only felt after words are spoken aloud and a burden is suddenly lifted.  If you listen closely, you’ll hear this very delicate process in motion as “I Wanna Love You Forever” plays.

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Ball of Wax 61 Songs: Kevin Suggs – “The Cuts”

Did you ever wonder what the world would be like today if ’50s sock hop music had been as interested in environmental stewardship as it was in where, oh where, could one’s baby be? Okay, neither had I until listening to Kevin Suggs’s contribution to BoW Volume 61 while on a walk through a small woods near my house. “The Cuts” opens with familiar and nostalgic bass and guitar lines that would put any Boomer at ease. The playing and production are sublime, which should come as no surprise considering Kevin Suggs’s résumé includes names Brandi Carlile, Cat Power, The Dusty 45’s, Eddie Vedder, The Shins, and The Walkabouts. The first hint that this track is not simply a stroll down memory lane comes with the recitation of a series of musical terms. A pedal steel guitar interlude then transports us to a sleepy coastal town where we are introduced to a wise young fisherman. A doo woppy chorus and some heavily reverbed guitars and vocals move us further on up the road to a farm on a fertile plain, into the city, and across time. “The Cuts” is chilling in its beauty and heart warming in the images that Kevin Suggs conjures. It is good to know where one’s baby is. I do wish that we could set the clocks back and dance into that golden age to teach past generations more about the impact their concrete and metal plans will have today.

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Ball of Wax 61 Songs: Nick Droz – “There Goes the Neighborhood”

No, this song is NOT a cover of the 1992 Body Count* classic but a song written (per Nick) as “part of a prompt-based project . . . for one of the Hugo House’s literary series. Inspired by the construction of their new building, the prompt they came up with was ‘There Goes The Neighborhood.’”

This song seems a slight departure for Nick coming after his more straightforward rock/Americana album Safe Bet, released in 2019. However, it seems like many of us, Nick has been using quarantine over the past 6 months to experiment with more informal recordings, judging by his great new EP released under the moniker Mono A Mono.

That EP, like “There Goes the Neighborhood,” was recorded by Nick on his analog 4-track with Nick playing all the instruments. These combined releases (as well as hopefully future ones) make a strong case for musicians of all stripes to attempt similar recordings for both the inherent creative challenges and the resulting pure sonic analog bliss when done correctly.

On “There Goes the Neighborhood” Nick employs a Scott Walker-by-way-of-Thom-Yorke croon that elaborates upon (without contradicting) his usual vocal approaches. With some tasteful Daniel Lanois-esque reverb on both the vocal and tom pattern, a baroque ’60s California pop vibe comes across despite the relatively austere arrangement.

The lyrics come off as slightly ambiguous; they could be interpreted as being the POV of two neighbors with clashing ideologies or the same individual with conflicting reactions to (as far as I can tell) an undefined incident or circumstance altered.

This ambiguity can’t help but make me hear the song as a partial commentary toward
the recent focus on suburban neighborhoods in swing-states (especially those of Nick’s and my own home state of Wisconsin) needing to be “saved” by a certain current President. And one could very well hear as I do in Nick’s melancholy delivery, the disappointment of discovering your own neighbor’s opposing political beliefs and feeling your own optimism deflated once again.

Whether one buys into either interpretation or not, “There Goes the Neighborhood” can act as a soothing balm for those of us exhausted by the barrage of pre-election information and accusations as the days get colder and the skies turns greyer. It will assure you that you are not alone in your day-to-day battle with dread and search for small victories, wherever they may be found.

*for the unenlightened, Body Count was (and is?) the heavy-metal side project of Ice-T. “There Goes the Neighborhood” was the first single off their 1992 self-titled debut, which also included the controversial “Cop Killer” until Ice-T was pressured to remove said song from the album.

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Ball of Wax 61 Songs: Red Weather Tigers – “Hello, Discordia”

Ball of Wax supergroup Red Weather Tigers is back! Again! Proving their one-minute appearance on Ball of Wax 60 was no fluke, this band of miscreants – Marc Manning, Grumpy Bear, and THEATH – has delivered a fine homage to the goddess of strife, who is surely having quite a time of it these days. “Hello, Discordia” has all the swampy grit you’d expect in a song about an agent of death and mayhem, but the fascinating thing about the arrangement is that all that dirt is buried in the vocal track. The guitar, percussion, keys, and backing vocals that carry the song are all relatively clean and precise, humming along in a pleasant, bluesy manner. But when that vocal kicks in – and I’m sorry, but I don’t know which of our fine friends is behind the mic here – it’s all dirt and sass and low end, and it casts a pall of, well, discord over the entire song, making the whole thing fittingly unsettling. Here’s hoping poor, overworked Discordia takes a long, well-deserved rest soon, but in the meantime, this is a perfect soundtrack to her reign.

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Ball of Wax 61 Songs: Holly Small – “I Don’t KNOW​!​”

Have you met Holly Small? She sang lead in Wearbearcat! and was a prominent member of the Talking Heads cover band This Is Not My Beautiful Band. These days, Holly’s focus is on her original electro-pop music and electronic jazz arrangements as well as being a member of the (almost) all woman rock/soul band Grace Love and the Dirty Church. Okay, enough backstory. Holly’s piece “I Don’t KNOW!” gets off to a running start, spinning you until you’re dizzy enough to not know either. And then the next section hits and you’re grooving to a steady beat and a beautiful pop melody that slips off and drops you into dizzying spins again. And there’s certainly a story being told in the bridge section that returns to the steady beat and melody triumphantly. What can I say? I also don’t KNOW! but I really dig this tune.

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