Ball of Wax 61 Songs: Ken Cormier – “Look in a Mirror”

I won’t belabor the point, but there’s no way around the fact that the we are living in a time of unbelievable grief. In addition to the extra layers of grief we’re all dealing with now (200,000 pandemic deaths, the loss of a Supreme Court champion for civil rights, looming fascism), we still have all the more usual forms of loss and grief to deal with: deaths of family, friends, beloved animal companions – all of it is still happening, and it all still hurts. I don’t know if I would have picked up on it if Ken hadn’t told me – I’m not super perceptive when it comes to interpreting lyrics – but “Look in a Mirror” is a song about such a loss, and as such it is both utterly timeless and perfect for these times.

The song, Ken’s placid voice easing us through it, manages to be both calming and unsettling at the same time, the 5/8 rhythm keeping us on our toes all throughout, looking around the corner. The chorus lulls us into a peaceful feeling as it starts: “We went down to the cove on our own, skipping stones. Felt like we were at home.” And then, just as we’re easing into that warm feeling, it comes: “Except that I was alone.” This moment of relaxed camaraderie becomes a moment of poignant loss and loneliness. Anyone who’s lost someone close to them knows this feeling, and Ken Cormier puts it into song subtly and artfully.

(Ken Cormier is an associate professor of English and Director of Creative Writing at Quinnipiac University in Hamden, CT. )

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Ball of Wax 61 Songs: Chris Klepac – “Corner”

Surprise! Ball of Wax 61 is out! We decided to release first and post track reviews later, since everything is topsy-turvy in these times anyway. (Stay tuned for a release show announcement, too!)

Chris Klepac – previously heard in these parts as half of Stereo Sons – has left Seattle but returned to the Ball of Wax fold, with this perfect album-opener, “Corner.” Chris, along with Stereo Sons collaborator Mike O’Doherty and bass genius/longtime Ball of Wax Friend Carlos Tulloss, starts us off with a head-bobbing drum/bass/keys groove, punctuated with languid guitar melodies. Most of the songs on Ball of Wax 61 were created during these strange times we find ourselves in, and reflect that in some way. I don’t know if that’s the case with this one, but the lyrics do resonate. Lines like “Still a damn sight better than just waiting ’round here to die / all that wishing and hoping,” and “made it through the morning / could have been much worse” certainly speak to me particularly clearly right now. But at any time, this is just a damn fine piece of music, beautifully written, arranged, performed, and produced.

And I have to take a moment here to call out bass treasure Carlos Tulloss. The way the steady, finger-plucked eighth-note groove of the verse opens up into the half-time chorus part, Carlos’s fingers effortlessly – but not showily – flying up and down the fingerboard, counterpointing low drones with high chords and melodies, just gives me a warm, happy feeling. Carlos Tulloss for President of Basslandia!

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Album Review: Darryl Blood – Air Drop

Darryl Blood - Air DropDarryl Blood – Air Drop
(2020, self-released/Bluesanct)

Darryl Blood’s compositional versatility should come as no surprise to those familiar with his material. From his work with Boston act Turkish Delight (touted as a favorite of modern noise godfather Thurston Moore) through collaborations with artists of various stylistic backgrounds (full disclosure: I have been one) and on to his solo oeuvre, Mr. Blood has proven his skill in genres as disparate as acoustic pop and horror film soundtrack. His score for 2018 horror film Deathday (also known as The Campus) gives the listener a run-through of his talents across a range of instrumentation, arrangement, and mood.

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Ball of Wax 60 Songs: Marc Manning and The Laughing Group

Marc Manning: “mirrors facing mirrors”
Manning overlays a pensive, brooding acoustic guitar ballad with an unsettling synthesizer that buzzes like an insect out of the corner of an eye.

The Laughing Group: “Lifeboats”
This song is aptly titled, as it evokes a modern sea shanty packed neatly into this compact pop gem with a soaring chorus, lush backing vocals, and the pristine sheen of Appalachian reverb.

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Ball of Wax 60 Songs: Too Tired to Say Anything and Perish the Island

Too Tired to Say Anything: “Sleep Suffering”
Cinematic ambient electronica with an undercurrent of bubbling paranoia below the calm.

Perish the Island: “It Is My Ambition”
The sound of a busy power plant and high speed interstate traffic gives way to the icy chill of bells, clangoring metal, and taut drumming.

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Ball of Wax 60 Songs: Laudatory Consortium and Gregg Daniel Miller

Laudatory Consortium: “Awareness Spectrum Narcotic”
In an alternate universe, where sonar was invented by a sentient car horn, an underwater drum corps heralds the murky sunrise and summons the workers to their labors.

Gregg Daniel Miller: “Toward a new day”
I dreamed I wrote a Netflix drama about a raccoon who became a lawyer specializing in settling disputes among the creatures of the forest; this was the closing credits theme.

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Ball of Wax 60 Songs: Al Mustaqil and Alinovsky

Al Mustaqil: “60 seconds to Europe”
Consummate internationalist Jacopo Andreini brings us on a 60-second journey from a detention camp in Lesbos to a dance club in Firenze.

Alinovsky: “60sec in Taipei”
Our international voyage continues with sampled flute from a street in Taipei, manipulated and augmented with radical experiments in stereophonics.

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Ball of Wax 60 Songs: Double or Muffin and Prope Nihil

Double or Muffin: “Microdroplets”
Frantic jazz kazoo filtered through John Coltrane’s liver provides a chilling backdrop for a paranoid, germophobic mantra.

Prope Nihil: “Sea of Tranquillity Rework”
You descend the staircase in the swampy, malignant darkness, feeling a following presence, turning at last to see your own twisted self, playing a guitar made of fog.

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Ball of Wax 60 Songs: No One Knows Who Did This and The Vardaman Ensemble

No One Knows Who Did This: “Shocker Docker Ocker”
This band’s name is a lie, because I know, but I’m never telling.

The Vardaman Ensemble: “Too Smart by a Quarter”
A stripped-down number from some of our favorite Portlandian weirdos, just drums and – keys? EWI? You never know with the Vardamans – traipsing along for a whimsical minute.

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Ball of Wax 60 Songs: Options Open and Grumpy Bear

Options Open: “Hot Minute”
Delightful gems like this make you wonder why any song needs to be longer than a minute – especially when you have the shining cornet of Eric Padget to make it all sparkle.

Grumpy Bear: “An Ounce of Prevention”
Count on our Arizonan friends to deliver a minute of maximal pop weirdness with a booty-shaking beat and a healthy dose of dystopia.

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