Ball of Wax 54 Songs: Breichiau Hir – “Portread O Ddyn Yn Bwyta Ei Hun”

I don’t speak Welsh (sad, considering my surname), but listening to Breichiau Hir makes me wish I did. As far as I can understand from Google Translate—and I’m embarrassed even to admit that I resorted to that—the title of this track means, roughly, “Portrait of a Man Eating Himself.” Rarely has a title evoked such colorful imagery and opened up more the possibilities as to what the song may actually be about.

My need to understand lyrics is often subdued by the actual sound of a song and that’s exactly what happens with “Portread O Ddyn Yn Bwyta Ei Hun”—the whole thing threatens to explode from the start, the first portion of the central riff doled out several times before giving way to the delicious bass and slightly-more-than-restrained vocals. One rhythm guitar hangs in the back for a stanza or two, its brother-in-arms jumping in to help build momentum and a third adding bit of whine, all of which builds to a rousing stop-time chorus wherein everything goes a bit crazy.

If Breichiau Hir simply repeated this pattern, the song would be good enough, but no—following the second run-through, the band slips into post-rock/post-hardcore territory with a drum-and-bass bit that defies the song’s meter until the guitars return to reclaim it, reinforce it, and finally pummel it into submission, allowing the track to outro on the same central riff. I still don’t know what’s being said lyrically, but I do know that I’m going to be spending some time researching this band’s back catalogue.

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Ball of Wax 54 Songs: Levi Fuller & the Library – “News to Me”

“News to Me” hits a lot of aural touchstones in the “best of my favorite acts” catalog that I keep tucked safely in my head, but I’m going to go against my own style and avoid mentioning them because I don’t want to diminish or distill the impact of what Levi Fuller & the Library are doing here.

Looking at “News to Me” – from the forthcoming ep such bad things happen – on the merits of its vocal delivery and lyrical message reveals a songwriter passionate about environmental activism, or at least that’s what the verses will tell you. That bridge and chorus, though: taken separately from the verses (and especially the final chorus, delivered after a blistering bass vamp over which guitars first chime, then crunch, and then chug along with the drums), these words could just as easily refer to the state of American (or any ideologically divided) society. Fuller’s dolorous refrain, “I wish that I could say that this was all a big surprise,” and the admission that we watched as things changed before us and even went so far as to make ourselves deaf and blind to those changes . . . it speaks directly to every person alive today that has any power to change things (and really, isn’t that every one of us to some degree?) and says that we’ve essentially allowed all of this to happen—because we never thought it actually would happen.

“News to Me” isn’t so much a protest song as a contrition song. Laying the blame at our collective feet is heavy-hearted stuff, but the confessions of complicity aren’t the saddest part of the lyrics; it’s the “I wish that I could” (and the implied “but I can’t”) for giving the impression that this activist, resigned to defeat, has all but lost his belief in the power of the people and the concept of “the greater good.”

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Ball of Wax 54: November 23rd at Conor Byrne!

Ball of Wax 54
with The Cupholders, Zachary Warnes, The Daphnes, and Kevin Sur
Friday, November 23rd, 9pm
Conor Byrne Pub, 5140 Ballard Ave NW
$8 / Ball of Wax 54 CD included with entry

It’s time to release the autumn 2018 volume of Ball of Wax Audio Quarterly! And what could be more autumnal than partying on the night after Thanksgiving? Maybe we can even pile up some fallen leaves outside Conor Byrne and do some jumps, that would probably up our autumn game a bit. But I digress.

BoW 54 is chock full of 20 songs from friends new and old – which we’ll be rolling out here on the Blog of Wax starting today. There is no particular theme, but the time signature 5/4 does show up more than would be statistically likely in any normal collection of 20 songs. Representing for the live experience will be Cupholders (the Ballard supergroup formerly known as Doug Hood and the Wholly Heathens, chock full of BoW friends) and three artists newer to the fold: Zachary Warnes, The Daphnes, and Kevin Sur. It’s going to be a great time – and, as always, everyone in the door gets a free copy of the new volume of Ball of Wax.

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Submit to Ball of Wax 54 (no theme, just good)

Another volume of Ball of Wax Audio Quarterly is behind us, which means it’s time to start putting together the next volume! I was thinking about doing songs in 5/4 for volume 54, but I chickened out, and we’re just going themeless. Bring it! (That said, feel free to submit songs in 5/4 if you’ve got ’em.)

Have a new album out or coming out? I’m totally open to previously released or just-about-to-be-released material. My main criteria are good and newish.

Deadline: September 16th (also -ish)
Guidelines: here
Questions: here

Please spread the word. I can’t wait to hear what you’ve got.

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Ball of Wax 53 PS: “Cluster (Atmosphere)” Video

Ball of Wax 53 is out in the world, and its individual parts are floating about in their own ways, like so many particles of carbon polluting our atmosphere. But in a nice way. To wit: Darryl Blood and Green Light Cameras have produced a video of their track “Cluster (Atmosphere).” Like the piece itself, it’s gauzy, somewhat inscrutable, and probably best enjoyed late at night in a darkened room. Maybe if we’re very nice they’ll produce a whole video album for us to sit quietly and contemplate the end of the world with.

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Ball of Wax 53 Songs: Tom Dyer – “Everything in the World Is Returning to a State of Nature”

This collection of songs about the environment closes with this strange, sad, beautiful, fatalistic yet oddly hopeful(?) piece from Tom Dyer. Tom and fellow iconoclast Jim of Seattle (whom you might remember from BoW 32) have created a unique musical meditation on the state of the world and the inevitable pull of entropy. The main thesis: Plastification of the oceans notwithstanding, everything will eventually return to a state of nature and neutralize our effect on the planet. Of course, as I was just saying, we don’t want to be too fatalistic about things; but it is true that, at some point, humanity will no longer be a problem for this planet. I think we can acknowledge that while saying we should do our part to push that date back as far as possible, and try to keep it somewhat habitable for other forms of life.

Anyway, back to the music. “Everything in the World . . .” is almost like a musical collage, pasting together strings and synths in various moods and tempos with Dyer’s voice – alternately singing and speaking, celebrating and mourning the many wonders of this world that may or may not perish along with humanity. Like the gravity of our current global situation, this piece takes a while to sink in, but once it grabs hold it’s almost impossible to shake.

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Ball of Wax 53 Songs: KPH – “Been to the Future”

There are many obstacles the environmental movement needs to overcome in order to achieve any part of its mission, but a serious one to contend with is defeatism, or cynicism. Just as bad as pretending that everything is fine is to accept that climate change is a serious problem, only to raise your hands in despair and say “It’s too late! We’re doomed!” (Although I completely understand the impulse, and there’s more news all the time to reinforce that worldview.)

Enter Kaeley Pruitt-Hamm (no relation, I hope), a climate activist who also suffers from Environmental Illness. The struggle is real, and very personal, for Kaeley, and she is clearly not giving up any time soon. “Been to the Future” reminds us that for those of us who are trying to keep the planet livable, we must act as though our victory is certain. That future exists, and we are just working to make it a reality. Of course, it must be acknowledged that the definition of “winning” will change. Life on Earth will almost certainly suffer serious warming and some horrific consequences, no matter what we do. But the world where we give up and do nothing is, without question, a much worse place than the world where we fight like hell to end our addiction to fossil fuels as soon as humanly possible and limit the damage. This song is a beautiful statement – both musically and lyrically – in a very ugly time. Keep it close to your heart.

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Ball of Wax 53 Songs: Colin Ernst – “I Have a Friend”

The lyrics of Colin Ernst’s “I Have a Friend” aren’t as literally connected to environmental catastrophe as some of the songs here, but in context it all makes sense. The song is a jaunty retelling of the Icarus myth, which is really a perfect metaphor for pretty much all of human activity in the post-industrial age. The “friend” in question has a wonderful plan that will help flout the laws of nature and achieve greatness. It can’t fail! Here we go! We never quite get to the failure part, but the song does slow down and fall apart at the end, and Colin’s repeated refrain of “it’s so hot” says plenty – and feels plenty relevant to our current predicament.

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Ball of Wax 53 Songs: Danbert Nobacon and the Axis of Dissent – “To Be or Not to Be”

It is time in our track sequence to pivot from the subtle and gauzy to the strident and righteous, in the form of Danbert Nobacon and his Axis of Dissent. “To Be or Not to Be” is the second track from Nobacon’s Stardust to Darwinstuff to be featured on a volume of Ball of Wax; it speaks so clearly and directly to our theme here on volume 53 that I’m delighted he shared it with us. “To Be or Not to Be” is a take-no-prisoners assessment of our planet’s current fragile state of affairs and laying out of the terms of what needs to happen to reverse – or, let’s be honest, slow – our disastrous course: Nothing less than the dismantling of our current corporate-led, profit-over-all system – aka Capitalismos, in Danbert’s musical mythology. In addition to being a nice bit of red meat for eco-warriors, “To Be or Not to Be” is a highly enjoyable bit of four-chord folk rock, rife with guitar, banjo, fiddle, musical saw, and sweet vocal hooks and harmony.

Danbert and some number of the Axis of Dissent will perform at this Friday’s Ball of Wax 53 release show. There is something incredibly cathartic about singing “Die, Capitalismos, Die” with a club full of likeminded individuals. Don’t miss it!

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Ball of Wax 53 Songs: James Kelly Pitts – “Answers”

I think, in the songs of James Kelly Pitts and Poor Neighbors, I have discovered a new genre: soothing songs about climate apocalypse. “Answers” is a slow, gentle song that builds gradually, anchored by a quarter-note kick drum; whole-note bass; a winding, delay-heavy guitar line; and James quietly singing down in the low end of his range. The song starts off with a quiet moment in communion with nature – “I feel the grass between my toes / the sound of trees as the wind blows” but it slowly dawns on the careful listener that this is less a pastoral ode to nature than an elegy for the world we’re quickly losing, as he rues “the answers we’ll question in time,” and wonders “did something end, or just begin?” Of course, when our time on this planet ends, something else – hopefully something a bit less of a disaster – will begin. “Answers” takes a subtler approach than James’s brutally blunt “Rich Kids” from Volume 47, but it’s a beautiful contribution to this environmentally-minded collection, and another fine addition to the ever-growing Pitts oeuvre.

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