Ball of Wax 46 Songs: Modern Relics – Stay with Me

Posted on December 2, 2016 by Matty P

Modern Relics‘ “Stay with Me” is a catchy, well constructed, and polished tune. The song transitions seamlessly between the main groove of “Please stay with me for awhile” to the driving chorus “listen darlin’, I have fallen.” The song is catchy, upbeat, and positive. A well arranged horn section elevates the song further. But it’s all balanced perfectly. Neither too much horn, nor too much guitar, nor too much ornamental singing. Seattle is lucky to have a gem of a band like Modern Relics to call their own.

Modern Relics are playing the Ball of Wax 46 release show tonight! Don’t miss it.

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Ball of Wax 46 Songs: The Winterlings – Science

Posted on December 1, 2016 by Jon Rooney

Veteran Seattle duo the Winterlings‘ “Science” is an enjoyable, confounding mix of styles. The song combines elements of classic pop with lo fi folk, like the Shangri-Las if they were an Elephant 6 band. The simple repeated drum part is paired with harmonium, twinkling piano twiddlings and cowboy tremolo guitar chords. The production is roughly hewn – note the bass sitting way up in the mix – but the ambition and joy is palpable. Nicely done, Winterlings.

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Ball of Wax 46 Songs: Pampa – The Battery Is the Lullaby

Posted on December 1, 2016 by Levi Fuller

Once again, I’m excited to share new music from an old friend and long-time contributor to Ball of Wax. Brian Baillie has appeared under various monikers over the years, but he’s been fronting Pampa for a while now, and they’ve developed a warm, enveloping sound all their own. “The Battery Is the Lullaby” (from Pampa’s debut full-length Amongst Flutes and Whistles) rides on one chord and a simple octave bass line for over six minutes, but never stops arresting the listener’s attention. Dynamics swell up and down, unison vocals sing a repeating hook about a movie about rollercoasters, Brian’s brilliant leads provide melodic focus at key points . . . it all just works. It’s so satisfying to see a musician you’ve followed for years become part of a musical unit like this.

I strongly recommend catching the full-band version of Pampa at your earliest convenience, but in the meantime, Brian will open up the Ball of Wax 46 release show this Friday at Conor Byrne with a solo set. Come early, stay late!

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Ball of Wax 46 Songs: The Laughing Group – Black Dress

Posted on December 1, 2016 by Levi Fuller

Longtime Ball of Wax contributor Seth Howard has at long last taken the plunge and given his band a proper name. The Laughing Group comprises Seth on guitar, voice, and some other stuff; Sam Jansons on drums; and Jeffrey Henry on bass. I’ve been enjoying their work as a live band for years (mostly at Ball of Wax shows), so it’s highly gratifying to have them identify as a proper band with their own releases. There is some dark stuff going on in “Black Dress,” both musically and lyrically. The power-trio-plus-viola arrangement, with beautiful falsetto harmonies from Jeffrey, reminds me of some of my favorite Low songs: heavy, gritty, beautiful and – with lines like “blood doesn’t show on a black dress” and “we can only keep her away from the mirror for so long” – disturbing all at once. Go get their “pay what you want” EP right now, why don’t you?

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Ball of Wax 46 Songs: Jon Garcia – the river will fall

Posted on November 30, 2016 by Levi Fuller

It’s been several years since we’ve heard from Jon Garcia – I think he’s been taking a break from music to focus on his work as a filmmaker – so it was quite a pleasant surprise to receive some new music from him for this volume of Ball of Wax. “the river will fall” leaves behind the baroque, orchestrated approach of his past work for a simple, stripped-down, droning feel that I find very appealing. A couple keyboard chords, a pulsing kick drum, and the title of the song repeating, mantra-like, in a sedate, soothing melody. What river? When will it fall? What does it mean for a river to fall? Keep this song on repeat as you try to work it out.

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Ball of Wax 46 Songs: James Kelly Pitts – Night Shift

Posted on November 30, 2016 by Matty P

James Kelly Pitts cuts to the core of 21st century living with the beautiful simplicity of “Night Shift.” It’s an anthem for all of us who at one time or another feel beat down upon by working for our wages while we strive for something greater. He takes several elegant lines and sets them in rotation with each other. Lines like “I’m the shadow of a man,” and “They never said it was gonna be easy.” James shows a mastery of song craft, weaving in and out of verse, chorus, bridge, and refrain such that you can never really tell just where at in the song you are. Yet he manages to tie everything together into a very cohesive, well-sung tune.

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Ball of Wax 46 Songs: Karaoke Hottiez – Grandma, Grandpa

Posted on November 29, 2016 by Jon Rooney

All around local treasure Matty P returns to Ball of Wax under the inexcusable moniker of Karaoke Hottiez with the lovely, nostalgia-rich “Grandma, Grandpa.” Is this a vaudeville ditty from ages long past? Is the Coney Island suitcase organ a stroke of arrangement genius? Was this lo fi gem as hastily put together as the listener is led to believe? Sometimes it’s good to have answers, other times it’s good to bathe in the scratchy mystery of bedroom pop.

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Ball of Wax 46 Songs: Like, Listen To – What I Avoid

Posted on November 29, 2016 by Levi Fuller

We haven’t talked much about Drew Danburry here since he totally conned us with those delightful For All the Girls tunes a couple years ago (no hard feelings!), but he’s been steadily making music since then, and recently saw fit to finally submit some for Ball of Wax. Like, Listen To’s album East of the Sun and West of the Moon is a beautiful collection of songs for guitar, string quartet, and two voices. I’m fortunate enough to own a copy of the full album on vinyl, and it gets a fair amount of turntable time. “What I Avoid” is a perfect example of the spare beauty of this album, which was recorded live to 2-track 1/4″ tape. The strings perfectly punctuate and accent the wistful sway of the acoustic and voices without ever getting heavy-handed or sappy. I’m a big fan of multi-tracking and studio magic, but it’s beautiful to imagine these six people in a room in Utah performing this song just the way we’re hearing it now. I hope one of these days to experience this magic in person. In the meantime, keep sending us music, Drew!

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Ball of Wax 46 Songs: Amanda Winterhalter – What’s This, Death?

Posted on November 28, 2016 by Jon Rooney

Golden-throated Amanda Winterhalter returns to Ball of Wax with “What’s This, Death?,” a somber ballad in a traditional folk style that features only voice and finger-style acoustic guitar. “What’s This, Death?” is appropriately somber and menacing, issuing the warning “you don’t talk to death / you listen close.” Consider this a fine example of one of many styles Winterhalter can confidently deliver. Her recent full length, Olea, showcases Winterhalter’s considerable range, including the album’s triumphant high point, “I’m 100 Years Old,” and “What’s This, Death?” delivers yet one more reason Winterhalter deserves our attention.

Catch Amanda and her band this Friday at the Ball of Wax 46 release show.

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Ball of Wax 46 Songs: Robert Deeble – Coal Miner

Posted on November 28, 2016 by Levi Fuller

It’s been quite some time since we’ve had a full-length release from our old friend Robert Deeble, but he has a very good reason – which also happens to be the inspiration for the album he’s working on now. Two years ago, Robert and his wife adopted their daughter (the full, beautiful story is here on his blog), and I can vouch for the fact that parenting provides equal measure of inspiration and upheaval, rendering one simultaneously excited to write and record music and completely lacking in the time and energy to do so. But if the lush, heartwarming “Coal Miner” is any indication, this collection of songs will absolutely be worth the wait, whenever it arrives. Just like our kids.

Robert and his band will play the Ball of Wax 46 release show this Friday, December 2, at Conor Byrne. See you there!

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