Ball of Wax 33 Songs: Peter Colclasure – “Three Minutes Thirty Seconds Is the Only Salvation You Can Expect, Alexander”

Peter Colclasure – current resident of California and erstwhile key-tickler for Ball of Wax friends Smile Brigade and The Foghorns – certainly wins the (nonexistent) prize for the 33-iest song of this intermittently-themed volume. When he first sent the rather involved description of all the 3s and 33s in this song* I thought it sounded cool, but that the music itself might have ended up being a bit overworked, more math than soul. I needn’t have worried. Peter used these prompts and restrictions to craft a gorgeous piece of baroque pop packed with wit, melody, and layer upon layer of rewarding musical tidbits. More please, Peter!

*”It’s about Alexander the Great, Jesus, the number of miracles in the Bible, the number of vertebrae in the human spine, and precious metals. . . . It’s all in phrases of three, three different sections, with two of them occurring three times, 3/4 time with triplets laid on top for the melody, etc. And it’s exactly 3:30.”

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Ball of Wax 33 Songs: Sun Tunnels – “Commit-Spike”

Sun Tunnels, the musical alter ego of Louis O’Callaghan, trades in the highest grade of indie rock classicism and singer-songwriter goodness. His songs do more than evoke everything you love about Built to Spill, Neutral Milk Hotel, or Elliot Smith – they often stand up beside them. While Sun Tunnels has been a full band project of late, “Commit-Spike” is a sparse, acoustic-guitar driven track. The arrangement and production is straight ahead and simple, leaving Louis space to nail the important stuff – dynamics, lyrical phrasing and a clever melody that demands multiple listens. As even a mild dip into any local music scene proves, a solo acoustic act is really tough to pull off well, especially for more than a couple of songs. Louis is one of Seattle’s finest – come see for yourself at the Ball of Wax 33 release show on September 7th at Conor Byrne in Ballard.

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Ball of Wax 33 Songs: Virgin of the Birds – “Victor Bockris”

I have to confess that listening to Virgin of the Birds songs occasionally leaves me feeling like I’m in a conversation with someone much smarter than I at a party. He keeps making these clever and obscure cultural references (not in a show-offy way, just because that’s the way his brain works), and sometimes I’ve at least heard of the thing he’s talking about, but other times I’m just left nodding knowingly and hoping he’ll say something else that will tie it together. But I’m not at a party, and if somebody sends me a song called “Victor Bockris” I can just discreetly look the up the name and find out that he’s a writer who co-wrote John Cale’s autobiography and has published work about Lou Reed and the Velvet Underground, Patti Smith, and William S. Burroughs (among many other works). And knowing VotB’s Jon Rooney and his work, that doesn’t necessarily explain the song, but it certainly explains why Victor Bockris is someone he might name a song after, even if just to get ignoramuses like me to look him up. We here at Ball of Wax are staunch champions of People You Should Have Heard of But Probably Haven’t, so I firmly support this Victor Bockris awareness campaign in the form of a song.

Oh, and as far as the song goes, being a Virgin of the Birds song it is a very satisfying piece of smartly crafted low-fi pop, anchored as always by Jon’s effortlessly pleasing baritone.

Virgin of the Birds will sadly not be performing at the Ball of Wax 33 release show (next Saturday at Conor Byrne!), but my band and I had the very good fortune of sharing a bill with them last night at the wonderful new venue Tiny Ninja, and I highly recommend you catch the full-band VotB experience at your next opportunity.

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Ball of Wax 33 Songs: Olie Eshleman – “Gamma Progression Street”

Ball of Wax veteran and Corespondents founding member Olie Eshleman contributes a guitar-driven instrumental track to volume 33 with “Gamma Progression Street” The song is carried by a series of guitars (maybe 3?) vamping atop processed, stomping drums. Filling in the cracks are bits of organ, synth blips and sampled vocals at the end. Somehow “Gamma Progression Street” evokes Morricone-esque Spaghetti Western soundtracks, reverb tank-driven surf music and ’80s-era Tom Waits while blending into a unique, cohesive junkyard noir. If you told me this was lifted directly from the soundtrack of Wild at Heart, I’d believe it – no question.

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Ball of Wax 33 Songs: Lowmen Markos – “White City”

This recording – a sort of centerpiece to Ball of Wax 33 – is a wonderful example of what happens when you get a group of gifted musicians playing live together in a room with one of Seattle’s best engineers. Lowmen Markos‘s “White City” was recorded live at Jack Straw Productions  for Doug Haire’s long-running Sonarchy Radio program, broadcast in the wee hours of Sunday nights on KEXP, but nothing about this recording suggests it wasn’t the product of weeks of labor in the studio. “White City” is beautifully arranged and performed; like some of the best instrumental music it slowly draws you in with subtlety and beauty. It moves in waves, ever so gradually building to the inevitable climax, but never quite walloping you over the head with rocktacular riffs (not that there’s anything wrong with that).

Lowmen Markos is playing at the Ball of Wax 33 release show on Saturday, September 7th at Conor Byrne. Their epic soundscapes should be the perfect cap to the evening, and will doubtless send us all buzzing c0ntentedly out into the Ballard night.

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Ball of Wax 33 Songs: The Luna Moth – “33333”

The Luna Moth‘s “33333” pretty much hits the musical spot for me right now. Clocking in at a title-appropriate 3:33, the track has a looping, hypnotic pull while still feeling very much performed and improvised. Driven by a pretty bass figure played by our own Levi Fuller, “33333” leans more towards the heady minimalism of Terry Riley or La Mont Young than the soft-LOUD-soft arc of countless post-rock bands of the last 15 years. The instrumentation is certainly rock-based – drums, electric bass and distorted electric guitar – but the feel is more slowcore vamp than buildup/release. Around the 2:25 mark, Mark Schlipper edges up the distortion on his guitar, but it serves as more as a color than a rallying cry to begin a crescendo befitting Friday Night Lights. It’s a brief set piece, but one of my favorite contributions to Ball of Wax 33.

The Luna Moth will be one of the fine acts performing at the Ball of Wax 33 release show on September 7th at Conor Byrne in Ballard. Be there . . .

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Ball of Wax 33 Songs: The Mantis Opera – “I Never Went Surfing”

Ball of Wax 33 features a few artists that I had never heard before receiving their submissions, among them The Mantis Opera. I don’t know how Mantis Opera mastermind Allister Kellaway found us all the way from Falmouth (Cornwall, UK), but several months ago I received a WeTransfer email from him with a couple of songs attached and no additional comment. Having wearied of faux-chatty publicist emails and adjective-heavy press releases, I found this casual drive-by approach compelling, and I downloaded the songs and gave them a listen. What I heard was new and exciting to my ears, and obviously the product of a lot of work on Kellaway’s part. Each song was packed with ideas and colliding sounds and insane changes that shouldn’t work but did. Maybe if you took the bedroom psych approach of a Tame Impala and add ample doses of prog you might have some idea of what I’m talking about, but it’s really best to just check out this song – and you might as well just go ahead and get the whole album over at Bandcamp while you’re at it. Thanks for finding us, Allister!

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Ball of Wax 33 Songs: The Elevator Boys – “When You’re With Him”

Volume 33 really is all over the map, both musically and geographically. We went through Arizona and California before we hit a couple Seattle artists, and then we jaunted through Nashville with Friendship Commanders. Well we’re back in the Southwest now, with Albuquerque’s Elevator Boys. Longtime listeners might remember drummer Nate Daly’s band the Scrams, from way back on Volume 22 (Nate seems drawn to multiples of 11 – I guess we’ll see him again in another almost-three years). Suffice it to say, not unlike the Scrams, this is a very satisfying slab of rock ‘n’ roll from our non-neighbors to the SW. I hope they come up here some time and rock all of our faces in person, but for now this will have to do.

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Ball of Wax 33 Songs: Friendship Commanders – “Bad to See You”

As Jon so astutely gleaned yesterday from my song “33 Slade St.,” I was once in a band that rehearsed in a house at that address – and in fact we took our name from it. This volume, as part of its “33” semi-theme, features songs from all three of the band’s members, as well as a previously unreleased 33 Slade track. Stay tuned!

The singer and guitarist in 33 Slade was a very dear friend of mine named Buick who has gone onto an incredibly productive musical career, including gorgeous solo work and impressive collaborations such as the booty-bass of They Rule and the emotive punk stylings of her new band Friendship Commanders – who, with “Bad to See You,” deliver a note-perfect (both musically and lyrically) kiss-off song. I know you’ll be digging this up next time you need to make the ultimate “fuck you” mixtape for someone who done ya wrong – although odds are you won’t have to dig far, as it pretty much demands repeat listens whether or not you have anyone to dedicate it to.

(As an aside, today just happens to be the birthday of Amos, the model and namesake for Friendship Commanders’ debut EP. Happy birthday big guy!)

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Ball of Wax 33 Songs: Levi Fuller – “33 Slade St.”

“33 Slade St.,” by Ball of Wax founder and DIY well spring Levi Fuller, is a protest song of the most localized sort. The lyrics offer a clear narrative about the annoyance and hardship brought on by noisy neighbors rehearsing as band in an attic (presumably on 33 Slade St.). It begins simply with voice and acoustic guitar then gradually introduces pounding drums and angrily distorted guitars as the narrator further details his grievances. Ending with the line “Why don’t they all just move,” the narrator in “33 Slade St.” might be Levi offering the first-person, sobering perspective of a maturing, solace-seeking musician or dramatizing some poor neighbor he tortured with an attic band in his potentially less-considerate youth. I think its a coincidence, but “33 Slade St.” works perfectly as a companion piece to Thee More Shallow’s “2AM”, a great, nearly-forgotten track that adds up to a double-shot of sweet, neighbor-loathing pathos.

I’m thrilled to be playing a show with Levi Fuller and the Library on August 29th (that’s next Thursday) at the Tiny Ninja Cafe in Fremont. It’s free and all ages – good times.

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