Album Review: The Foghorns – The Big F EP

The Foghorns - The Big F EPThe Foghorns – The Big F
(self-released, 2013)

Seattle-area staples and Ball of Wax abettors the Foghorns began selling the Big F EP from the merch table at their recent Conor Byrne show with Levi Fuller & the Library and Yucca Mountain. After the candied blue vinyl beauty of their last release, 2011’s outstanding To the Stars on the Wings of a Pig, the Big F is decidedly more understated in its presentation – hand-made CD-Rs marked with a sharpie and packaged in a white envelope alongside 2 double-sided printed pages of credits, liner notes, missives, and mild confessions. Most importantly, though, the CD-Rs contain five pretty remarkable songs – 3 of which are available digitally via Bandcamp. The full CD is available from Knick Knack Records as well. Continue reading

Posted in Album Reviews, Bands You Should Know, Recorded Music | Tagged | 4 Comments

Marc Laurick’s Thesis on Album-oriented Rock: tourbillons

tourbillonsMarc Laurick – tourbillons
(2013, self-released)

Marc Laurick is part of the rhythm section for a growing number of Seattle-based musicians– something like a contemporary Leland Sklar of The Section. I can’t think of how many songwriters he’s sat in with, but I believe I’m the only person related to Ball of Wax who hasn’t recorded a song with the rangey bassist. [Editor’s note: I have yet to have the pleasure. -Levi] I have photos of him backstage with David Guilbault, a damned intelligent local songwriter with that all-too-rare baritone singing voice.

marc-laurick

So what does it sound like when the man who lays the foundation for songwriters to stand upon . . .  speaks? (Figuratively. I’ve heard him speak to me, and he has a vaguely Philadelphia accent, but then I’ve been in Seattle so long, I don’t really know what conversation sounds like anymore.) Continue reading

Posted in Album Reviews, Bands You Should Know, Community | Tagged , | Leave a comment

Comets Flame Out: Empathy Loses to Nostalgia in Seattle as We Lose a Landmark and a Big Piece of our Humanity

BartTransplants to Seattle, at least normal transplants, (people who like conversation with humans and not conversation with mountain trails or, I’ll say it, bored baristas pointing at tip jars) get miserable quick. My wife and I moved to the Capitol Hill neighborhood in 2006, and we stayed there for a long, lonely year. It was at the end of this year that I finally wandered into the Comet Tavern, to buy advance tickets to see a friend Henrik Bjornsson and his band Singapore Sling, and to suddenly discover Seattle had a pulse.

The Comet I walked into in 2007 looked like a converted shed, and it smelled worse . . . like an earthy kind of cheese. The staff, who had the weary look of people accustomed to Faulknerian levels of disappointment, informed me I didn’t need tickets for a Comet show. I stuck around. Drank a beer. Read a book. Left because I had to go to the bathroom, but I didn’t have to go bad enough to use the one at the Comet.

Comet-framed-posterWithin two years, my band The Foghorns had made our big debut in Seattle, then played almost monthly gigs, almost exclusively at the Comet. We developed our new sounds, wrote songs about life around booze with the ultimate critics–the locals– judging us extremely vocally. I remember having a stiff show, and hearing, at the beginning of three songs “Hey waiter!!” Positive quotes are slightly less memorable. You’d get the weird quiet, or you’d get people singing along . . . even on new songs. (A key point: I’ve played more than two dozen gigs at the Comet in various bands, and I’ve never seen an ACTUAL CRITIC, that is, someone who writes about music for publication, at the Comet. Another key point: I’ve been fortunate enough to be featured as a pick in publications– but NEVER for a Comet show.)

For The Foghorns, we got our degrees from The Comet, playing constantly https://www.locksmithslocator.com/, moving from early weekday gigs to Thursdays to, finally, weekends. The experiences–nothing ever quite going right, but every gig reminding you WHY you place music. Through gigs at the Comet, we formed a fraternity of bands I admire: Jeremy Burk (now performing as Yucca Mountain), Lonesome Shack, Skeletons with Flesh on Them (now Roaming Herds of Buffalo), Casey Ruff, Corespondents, Friends and Family, Tango Alpha Tango . . . the list goes on. Continue reading

Posted in Community, Deep Thoughts | Tagged | 1 Comment

Album Review: Levi Fuller & the Library – Social Music EP

socialmusicepLevi Fuller & the Library – Social Music EP
(2013, self-released)

It’s been four years since our fearless leader Levi Fuller’s Colossal, a semi-cephalopodic collection of songs – many of which first appeared in a nascent form on Ball of Wax. Social Music, a brief collection of covers, has similar origins but a new sound and feel. Levi’s take on the Foghorns’ bleak, boozy “80 Proof” was featured on the cover-strewn Ball of Wax Volume 31 and his interpretation of the traditional “John the Revelator” can be found on Ball of Wax Volume 26: A Tribute to the Anthology of American Folk Music. The different sound and feel, however, can be attributed, in large part, to the more prominent presence of the Library – Christopher Williams on drums and Jonathan Wooster on bass. Levi has been joined by various backing bands over the years, but the Library sounds the most integrated and band-ish of any unit I’ve seen surround him. Continue reading

Posted in Album Reviews, Bands You Should Know, Community | Tagged | Leave a comment

Submit to Ball of Wax: Waltzes and Kids and Animals Oh My!

I hope you’ve been enjoying listening to Ball of Wax 33. I certainly enjoyed putting it together, and the release show was a blast. But wax never sleeps, and we must soldier on to future volumes. Here’s what we are currently soliciting submissions for:

1) Volume 34: Waltzes! Ball of Wax Volume 34 will consist entirely of songs in 3/4 time (get it?). (6/8 will also be considered, depending on the feel.) Songs don’t really have to be waltzes in any traditional sense, just in 3/4 time.
Deadline: October 27th

2) Volume 37: Songs for kids about animals! Looking way out to next summer, we are undertaking an ambitious project (funded in part by a grant from the wonderful 4Culture) geared toward younger, pre-adult humans, aged 6-12 or so. This will be a book and CD featuring songs about animals and an illustration to accompany each song. (Think good music for smart kids and their parents, not corny, patronizing treacle.) Given all the moving parts here, we need the music well in advance to get everything else done.
Deadline: April 1st

General submission guidelines over here. All deadlines subject to fudging. Just drop me a line if you have any questions. I look forward, as always, to hearing your music.

Posted in Ball of Wax | Tagged , , , | Leave a comment

Ball of Wax 33 Songs: Michael Wohl – “Lonesome No More”

Michael Wohl closes out Ball of Wax 33 with a meditative solo acoustic instrumental, “Lonesome No More.” “Lonesome No More” transitions from slowly strummed, partially arpeggiated chords to a more intricate, reverb-drenched figure to folk and country picking and back again. It’s a studied, hypnotic performance that never falls prey to guitar heroics or loss of momentum – even after the 4 minute mark. Like with the Luna Moth piece, I find Michael Wohl’s instrumental to be right up my alley right now and wholly satisfying in its straightforwardness.

Michael Wohl is opening the Ball of Wax 33 release show TONIGHT, Saturday, September 7th at Conor Byrne. Come on out, see all of the performers and pick up a CD of the new release.

Posted in Ball of Wax, Bands You Should Know, Check Out This Song | Tagged , | Leave a comment

Ball of Wax 33 Songs: 33 Slade – “Unfun”

If I had a hard time being objective about Boey, this is just going to be impossible. I’m really happy that we’re able to not only include new songs from the former members of my old band 33 Slade on Ball of Wax 33, but that there’s also an unreleased track we were able to unearth and share with the world anew. About a decade ago we recorded our second and final album, Harmonies for One. Somewhere in the mixing/mastering process, we decided to drop one song from the final track list; none of us remember why, but obviously it was to save something to put on the 33rd volume of a compilation series I hadn’t started yet.

Again, there’s no way I can give any kind of objective critique here, but this is a project that I am very proud to have been part of and that provided the foundation for much of what I would go on to do. I hope you like it.

Posted in Ball of Wax, Bands You Should Know | Tagged , | Leave a comment

Ball of Wax 33 Songs: Boey Russell – “Fortune Teller”

I’ve known Boey Russell for over half of my life – he was the drummer in the previously mentioned band 33 Slade – and I always knew he was a gifted musician and singer, but it was only very recently that I heard any of his own songs for the first time. It’s hard to pin down just what makes Boey’s music so different from what one generally hears coming from people in their 30s these days (or on Ball of Wax in general), but it most certainly is. There’s a professional, polished sheen to “Fortune Teller”; you can tell Boey is probably more likely to listen to Christopher Cross or Steely Dan than Deerhunter or Bright Eyes (which, frankly, so am I). He’s obviously comfortable in his own skin and with his own voice, and what comes out is sophisticated and well-honed without being cheesy or overly glossy. (It doesn’t hurt that he surrounds himself with players as good as he is.) It’s impossible for me to be objective about someone I’ve known for so long, but this is impressive stuff and I’m excited to hear more.

Posted in Ball of Wax, Check Out This Song | Tagged , | Leave a comment

Ball of Wax 33 Songs: We Wrote the Book on Connectors – “Captain Dog”

We Wrote the Book on Connectors‘ breezy, goofy “Captain Dog” serves up a curveball to Ball of Wax 33‘s general seriousness. With lyrics about Beverly Hills 90210 told from the perspective of a dog and a bedroom acoustic pop arrangement, “Captain Dog” is the kind of catchy song found in the catalogs of labels like Happy Happy Birthday to Me and Asaurus Records. Longtime Seattle mainstays, We Wrote the Book on Connectors inject a They Might Be Giants-esque sense of play into a wide variety of styles and feels. “Captain Dog” has such a convincingly wistful tone that, if the lyrics were in another language, I would definitely take it as a wistful ballad about heartbreak and longing. “Captain Dog” comes from We Wrote the Book on Connectors’ WE Song Writing Service LP, which features 22 other tracks with titles like “Hooker Gladiator Wars,” “Doctor Zombie,” and “My Bigot Chihuahua.”

Posted in Ball of Wax, Bands You Should Know, Check Out This Song | Leave a comment

Ball of Wax 33 Songs: Whales/The Magic of Multiples – “Break Into My House”

Alexander Drum of Whales/The Magic of Multiples made himself a Ball of Wax regular pretty quickly, and for that I am grateful; it’s always a pleasure hearing whatever he’s been working on. He seems to be quite prolific, and while his songs usually give the impression of spontaneity and perhaps having been written and recorded quickly, they never feel tossed off or half-assed. The blend of voices and instruments here, the gradual build over a couple repeated chords,  is simple but quite satisfying.

Posted in Ball of Wax, Check Out This Song | Tagged , | Leave a comment