Ball of Wax 31 Originals: The Foghorns – 80 Proof

[Ball of Wax 31, as previously announced, will feature 15 local songwriters and bands all covering each other’s songs. Between now and the release show on March 9th, I will share the originals with you to provide a little background, and perhaps a deeper appreciation of the CD and show. (Which is March 9th. Did I mention that? March 9th. Columbia City Theater.) We’re posting the cover versions on Bandcamp, where you can pre-order the CD now.]

It’s fitting and cool that chance connected two of the centers of gravity of our little Ball of Wax world with Levi Fuller covering The Foghorns’ “80 Proof” for Ball of Wax 31. The Foghorns have ties to projects all over town and they’re a force both on stage and in the studio. Levi is the founder of this here Ball of Wax, man of many projects, and pretty much the patron saint/mayor of the Seattle off-the-radar DIY music scene.  The Foghorns’ original version of “80 Proof” is a soft-white beautiful bummer. Like the best of their work, it oozes a confident, yet sleazy, wisdom earned from vice and human need. Levi’s version changes the lyric “please don’t look at me/the way I look at me” to “please don’t look at me/the way I look at you“. It could be an accidental switch or a merciful gesture to curb the song’s pervasive self-loathing – either way, that’s the kind of stuff that makes Ball of Wax 31 special. Lead Foghorn Bart Cameron:

About that tune. I wrote it to feature Kate Quigley’s voice. I also don’t like performing it because when I change it, people seem disappointed. I sing it to my kid sometimes . . . But he prefers more up tempo stuff.

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Ball of Wax 31 Originals: Led to Sea – Fear of Flight

[Ball of Wax 31, as previously announced, will feature 15 local songwriters and bands all covering each other’s songs. Between now and the release show on March 9th, I will share the originals with you to provide a little background, and perhaps a deeper appreciation of the CD and show. (Which is March 9th. Did I mention that? March 9th. Columbia City Theater.) We’re posting the cover versions on Bandcamp, where you can pre-order the CD now.]

The Foghorns, contrarians that they are, selected the only instrumental number to appear on Ball of Wax 31, covering Led to Sea‘s “Fear of Flight,” off her wonderful 2011 album Into the Darkening Sky. Clarinetist Lauren Zeck gamely takes on Alex Guy’s odd time intro melody. Then the rhythm section joins in, and the next thing you know it’s a bluesy freakout jam of the highest order. I can’t wait to see them play this one – and their own “80 Proof,” which I covered – at the show.

Led to Sea – Fear of Flight

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Ball of Wax 31 Originals: Brad Dunn – Song of the Family

[Ball of Wax 31, as previously announced, will feature 15 local songwriters and bands all covering each other’s songs. Between now and the release show on March 9th, I will share the originals with you to provide a little background, and perhaps a deeper appreciation of the CD and show. (Which is March 9th. Did I mention that? March 9th. Columbia City Theater.) We’re posting the cover versions on Bandcamp, where you can pre-order the CD now.]

Almost two years ago I gushed all over Brad Dunn‘s collaborative album with Dandelion Gold on these very electronic pages. Since you’re obviously a reader of this blog, I assume you went right out and bought it and have been listening to it regularly ever since. If for some reason this is not the case, I recommend you go remedy that situation right now. It’s one goddamn dollar, for crying out loud.

So you probably don’t need me to stream his “Song of the Family” right here, but I’m going to do it anyway just in the name of consistency. Alex Guy of Led to Sea manages to stay quite true to the original in terms of structure and melody for her version, while at the same time transforming it completely into a Led to Sea song just by virtue of instrumentation and her own vocal style.

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Ball of Wax 31 Originals: Emiko Blalock – Wind Up Bird

[Ball of Wax 31, as previously announced, will feature 15 local songwriters and bands all covering each other’s songs. Between now and the release show on March 9th, I will share the originals with you to provide a little background, and perhaps a deeper appreciation of the CD and show. (Which is March 9th. Did I mention that? March 9th. Columbia City Theater.)]

Emiko Blalock‘s cover of Shenandoah Davis’s “Proof” will, somehow, only be her second appearance on Ball of Wax, though I’ve been an admirer and friend of hers for years now (full disclosure: we both play in Pufferfish). (Rumor has it she cooked up a scandalous number for Volume 13, our dirty language installment, but never worked up the nerve to send it in.) I suppose we can count this web premiere of “Wind Up Bird,” which Brad Dunn interprets delightfully on Volume 31, as number two and a half. Emiko has tons of gorgeous songs like this one; here’s hoping she gets a proper solo release together some time soon.

We’re now posting the Ball of Wax 31 cover versions over on Bandcamp https://www.nettcasinos.org/spilleautomater-på-nett in tandem with the originals. Follow along, and pre-order your copy today, right here.

Emiko Blalock – Wind Up Bird

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Ball of Wax 31 Originals: Shenandoah Davis – Proof

[Ball of Wax 31, as previously announced, will feature 15 local songwriters and bands all covering each other’s songs. Between now and the release show on March 9th, I will share the originals with you to provide a little background, and perhaps a deeper appreciation of the CD and show. (Which is March 9th. Did I mention that? March 9th. Columbia City Theater.)]

Shenandoah Davis’ “Proof” is a rich, jaunty, parlor tune. If there’s a place where Kurt Weill and Kate Bush intersect, it may be this song. Solo artist and Pufferfish contributor Emiko Blalock takes the song in another direction all together on Ball of Wax 31, pivoting on the intimate nature of the lyrics with an introspective arrangement.

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Ball of Wax 31 Originals: Colin J. Nelson – Bourbon and Tea

[Ball of Wax 31, as previously announced, will feature 15 local songwriters and bands all covering each other’s songs. Between now and the release show on March 9th, I will share the originals with you to provide a little background, and perhaps a deeper appreciation of the CD and show. (Which is March 9th. Did I mention that? March 9th. Columbia City Theater.)]

Shenandoah Davis has built a formidable following both locally and farther afield with her exquisite piano playing and intimate, very-American (a little blues, a little folk, a little jazz) songs. For Ball of Wax 31 Shenandoah chose “Bourbon and Tea” from Colin J. Nelson’s Posies and Teeth album. In Shenandoah’s hands, “Bourbon and Tea” is a pre-war carnival waltz punctuated with sliding background vocals that sound a little like an Ondes Martenot.  Colin’s original is more frenetic, electric and layered.  Both are outstanding.

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Ball of Wax 31 Originals: Alicia Amiri – Darkness in Me

[Ball of Wax 31, as previously announced, will feature 15 local songwriters and bands all covering each other’s songs. Between now and the release show on March 9th, I will share the originals with you to provide a little background, and perhaps a deeper appreciation of the CD and show. (Which is March 9th. Did I mention that? March 9th. Columbia City Theater.)]

Colin J. Nelson, solo artist, Foghorns choir member, member of a multitude of projects as well as the engineer/proprietior at Her Car studios in Fremont, chose “Darkness in Me”, an unreleased track by Alicia Amiri, who fronts Nightmare Fortress, a dark, dancey quartet, as well as performing under her own name. Colin, a Ball of Wax staple, is likely to take the stage with a bunch of folks in different roles at the March 9th BoW 31 release show at the Columbia City Theater.

Alicia Amiri – Darkness In Me

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Ball of Wax 31 Originals: Bret Alain Phillips – Winder Downs

[Ball of Wax 31, as previously announced, will feature 15 local songwriters and bands all covering each other’s songs. Between now and the release show on March 9th, I will share the originals with you to provide a little background, and perhaps a deeper appreciation of the CD and show. (Which is March 9th. Did I mention that? March 9th. Columbia City Theater.)]

Bret Alain Phillips has been an occasional Ball of Wax contributor since way back on Volume 3, which opens up with his band Oldman Winter’s track “20 Questions.” I’m very pleased to have him back under his own name for number 31. From Bret’s substantial catalog, Alicia Amiri selected the song “Winder Downs” from his first (I think?) solo album, Fairest, Eden. The Grand Facade, his next album, should be out very soon.

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Ball of Wax 31 Originals: Jeremy Burk – City Jobs

[Ball of Wax 31, as previously announced, will feature 15 local songwriters and bands all covering each other’s songs. Between now and the release show on March 9th, I will share the originals with you to provide a little background, and perhaps a deeper appreciation of the CD and show. (Which is March 9th. Did I mention that? March 9th. Columbia City Theater.)]

Jeremy Burk, having recorded the first cover song on Ball of Wax 31, is covered in turn by Bret Alain Phillips for track 2. Bret takes a relatively light hand for his rendition, keeping the original song’s overall mood (which fits Bret’s own music very well) and tweaking the instrumentation, production, and vocal approach just enough to make it his own. Jeremy’s original appeared way back on Ball of Wax 12, as well as on his debut album, I Hope You Find What You’re Looking For. Here’s the Ball of Wax version:

Jeremy Burk – City Jobs

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Ball of Wax 31 Originals: The Glass Notes – Don’t Write This Song

[Ball of Wax 31, as previously announced, will feature 15 local songwriters and bands all covering each other’s songs. Between now and the release show on March 9th, I will share the originals with you to provide a little background, and perhaps a deeper appreciation of the CD and show. (Which is March 9th. Did I mention that? March 9th. Columbia City Theater.)]

The first track on Ball of Wax Volume 31 has Jeremy Burk and his band covering the song “Don’t Write This Song,” by the Glass Notes (Robb Benson and Jake Uitti) – originally released on their 2012 album As the Building Crumbles. Jeremy and co. do a great job of making this song their own while respecting the source material. But you really should hear the beautiful original (and, while you’re at it, the whole Glass Notes album).

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